Maria Janion The Pond in Wielgie, or Between Laughter and Death Prof. No other scholar has devoted so much attention to the role of the sub-consciousness and the impulses, fully unaware or intentionally stilled, which steered the imagination of the artist. Grzybkowska drew attention to the Greek myths, which in the works by Malczewski often function under local disguise (Orpheus and Eurydice, Pythia and Nike). Wyka) he also emphasises the important fact that Prof. patriotic-romantic, folklore and folk motifs (following the example of K. In a presentation of the canvases by Malczewski, Dobrowolski indicates, i. Witold Dobrowolski The Malczewski Mythology This text was conceived a speech given during a promotion of the album Świat obrazów Jacka Malczewskiego (The World of Paintings by Jacek Malczewski) by Teresa Grzybkowska. The myth permitted the artist to view life as poetry, in which he too participates.

Mythology, which in the case of Malczewski played a fundamental role, once again proved to be the inspiration of his art. She also suggests that the canvas The 1905 Revolution, heretofore interpreted politically, could be described as the Apotheosis of the Artist and His Muses.

The author is aware of her own doubts as regards the interpretation of mythological and symbolical paintings, which oscillates between patriotic and personal mythology. Since he left his canvases untitled, some of them have different titles, a feature which was associated with the interpretation of a given work.

Teresa Grzybkowska Finis Poloniae and The 1905 Revolution by Jacek Malczewski or a Confession of Love? Jacek Malczewski is one of the most outstanding painters from the turn of the nineteenth century. The first examples of phenomenological explorations are found in the early texts of the Parisian philosopher, such as The Fundamental Idea of Husserl 's Phenomenology and Imaginaire. Husserl, the young Sartre rapidly learned from his master how to refer to phenomena that astonish human consciousness. Sartre, the French philosopher was fascinated by Objects from the very outset of his interests this is the reason why he fell under the spell of the slogan Zu den Sachen selbst, repeated constantly during the 1930s by German phenomenologists. 1 SUMMARY OF ARTICLE Stanisław Cichowicz The Sartre Problem According to testimony by Simone de Beauvoir, the wife of J.

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